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Digidesign 002 pro tools 10 mac pro el capitan update#
Digidesign 002 pro tools 10 mac pro el capitan pro#
Digidesign 002 pro tools 10 mac pro el capitan software#
Digidesign 002 pro tools 10 mac pro el capitan plus#

Digidesign 002 pro tools 10 mac pro el capitan update#

On the audio side, the track-count limit was 24 until a recent update pushed it up to 32.

Digidesign 002 pro tools 10 mac pro el capitan pro#

MIDI recording, with up to 128 tracks, only came of age in Pro Tools in v5, just three years ago, and the MIDI side of the program is rather simpler than the other big MIDI + Audio sequencers, though we find it perfectly usable. Third-party developers support the RTAS format very well.

Digidesign 002 pro tools 10 mac pro el capitan plus#

A standard set of Digi plug-ins provides dynamics, reverb, delays and modulation effects, plus EQs. A plug-in architecture supports two formats: AudioSuite, for off-line processing, and RTAS (Real Time AudioSuite) for real-time effects and processing. Track editing, including pretty comprehensive audio editing, is available within the Editor window, and the Mixer is a flexible, customisable and fully automatable affair.

Digidesign 002 pro tools 10 mac pro el capitan software#

The version of Pro Tools LE bundled with Digi 002 has been upgraded to support 32 audio tracks, and also includes an impressive plug-in package - shown is IK's Sampletank SE software sound module.PTLE is a well-specified, elegant application presented in two main screens: the Edit screen, where MIDI and audio tracks are shown as, respectively, piano-roll events and graphic waveforms and the Mixer screen. For a detailed look at LE's facilities, see the Digi 001 review in SOS December 1999. Thus, some of what the software is capable of will be down to the abilities of your computer. For anyone not familiar with LE, it's a cut-down version of Digidesign's flagship Pro Tools audio and MIDI recording and editing software, with host-based (rather than hardware DSP-based) processing. The version of Pro Tools LE supplied with the 002 system at the time of writing was v5.3.2. Indeed, it probably more than makes up for the fact that the control surface can't be configured to work as a generic controller with other software or hardware, as some of its MIDI controller competitors can. This is an attractive bonus if you ever do non-computer recording and/or play live.

Would be nice if a few more software features were accessible from the hardware.ĭigi have done it again on the 'completeness' front, as they did with the 001, and those surveying the field for a total setup can't help but be drawn by this simple, one-box solution to top-quality digital music production.Įven more appeal is added to 002 by the fact that its hardware unit also works in stand-alone mode, without a computer connection, as a digital mixer.

Limit of 32 audio tracks and no surround support in LE software.

Completely self-contained system from one manufacturer.

Comfortable and well-designed control surface.

Generous line-up of quality, balanced audio I/O, with great mic amps.

On top comes a plug-in bundle said to be worth £1400. Where the 001 allowed 16- and 24-bit recording at 44.1 or 48 kHz, the 002 adds 88.2 and 96 kHz operation, bringing the system up to date with current trends. The new system, rather, provides a welcome extra tier in the Digi hierarchy, between the extremely affordable M Box and 001 and the multi-thousand-pound HD systems, as well as adding the option of dedicated hands-on controllability to the project end of Digi's range. The Digi 002, as it's called, is not a 001 replacement: it costs significantly more, and 001 will continue to be manufactured. Instead, they've created a new, self-contained mini-studio system integrating updated Pro Tools LE software with a neat hardware unit combining all necessary audio/MIDI interfacing, via FireWire, and a control surface set up to exploit the power of LE. What Digi have actually done, though, is slightly different from simply launching a hardware controller for their existing LE Pro Tools setups, the Digi 001 and M Box. Digidesign already have background in control-surface design - their pro users have the lavish Pro Control and the slightly less expensive Control 24 to choose from - and arguably it was time to extend it to their LE project level. Steinberg's Houston and Emagic's Logic Control hardware units, obviously very attractive when combined with Cubase or Logic, come readily to mind. Expectations and possibilities change rapidly in the hi-tech music world, and what few in the project studio arena were seeking in 1999 was the kind of dedicated, hands-on controllability, optimised for the user's recording software, that's now becoming so popular. At least, it was almost a total solution. This appealing combination of good-quality audio I/O, MIDI interfacing, and a 'Light Edition' of Digi's Pro Tools industry-standard recording and editing software formed a reliable total solution for the digital project studio. Photo: Mark EwingWhen the Digi 001 recording system was launched in 1999, Digidesign had a considerable success on their hands.

FireWire audio and MIDI interfaces are gaining in popularity, as are fader surfaces designed for hands-on control of computer recording packages.